The fourth book to feature the classic crime-solving detective, Chief Inspector Wexford. Nothing is ever quite what it seems... A man and his daughter lie dead after a car accident. Strangely, no other car was involved and no cause has been found. Wexford's only option is to wait and hope that the one surviving victim - the mother, Mrs Fanshawe - regains consciousness. But when she finally awakens six weeks later, Wexford's attention has already been distracted by a new and very violent case. Walking by the canal that same morning, Wexford discovered the bloody body of Charlie Hatton. The two cases are obviously unrelated, although something is bothering Wexford and he can't work out why or what. But just as he begins to wonder whether there could in fact be a connection, the unexpected occurs: the Fanshawe daughter, believed to be killed in the accident, appears at her mother's beside very much alive...
Black tie… Whiteout… Red-hot lust! Wedding planner Meredith Sutton has a lot riding on the next wedding at Sutton Hall. She needs everything to go perfectly to launch her start-up bridal business. And she's prepared for everything…except seeing her old college crush in the wedding party. But not even Tom Campbell's dreamy eyes and filled-out physique can throw Meredith off her game. A killer, on the other hand, might mess things up.… Trapped in the midst of the fiercest blizzard the isolated mountain town has ever seen, the guest list becomes smaller by the day. But it's Tom's searing kisses and scorching caresses that have Meredith wanting one last chance at love. Since they might not be alive once the storm breaks.…
Speakers of British and American English display some striking differences in their use of grammar. In this detailed survey, John Algeo considers questions such as: •Who lives on a street, and who lives in a street? •Who takes a bath, and who has a bath? •Who says Neither do I, and who says Nor do I? •After 'thank you', who says Not at all and who says You're welcome? •Whose team are on the ball, and whose team isn't? Containing extensive quotations from real-life English on both sides of the Atlantic, collected over the past twenty years, this is a clear and highly organized guide to the differences - and the similarities - between the grammar of British and American speakers. Written for those with no prior knowledge of linguistics, it shows how these grammatical differences are linked mainly to particular words, and provides an accessible account of contemporary English in use.
Aside from Ruth Rendell's brilliance as a fiction writer, and her appeal to mystery lovers, her books portray a compelling, universal experience that her readers can immediately relate to, the intra-familial stresses generated by the nuclear family. Even those who experience the joys as well as pains of family life will find in Rendell the conflicts that beset all who must navigate their way through the conflicts that beset members of the closest families. Barbara Fass Leavy analyzes the multi-leveled treatment of these themes that contributes to Rendell's standing as a major contemporary novelist. Rendell, who also writes as Barbara Vine, draws on ancient Greek narratives, and on the psychological theories Sigmund Freud and Carl Jung derived from them, to portray the disturbed family relationships found throughout her work. Leavy's analysis considers what distinguishes mysteries as popular entertainment from crime fiction as literary art. The potential for rereading even when the reader remembers "whodunit" will be the basis for this distinction. Leavy also looks closely at the Oedipus and Electra complexes and how they illuminate Rendell's portrayals of the different pairings within the nuclear family (for example, mother and daughter) and considers the importance of gender differences. In addition, Leavy corrects a widespread error, that Freud formulated the Electra complex, when in fact the formulation was Jung's as he challenged Freud's emphasis on the Oedipus story as the essential paradigm for human psychological development.
The eleventh book to feature the classic crime-solving detective, Chief Inspector Wexford. Sir Manuel Camargue, Kingsmarkham's very own celebrity flautist, dies tragically on a snowy night. His death is met with a ruling of misadventure and appears to be an open-and-shut-case. However Wexford, as the investigating officer, has a few niggling doubts. Nineteen years later, Camargue's entrancing daughter, Natalie, now a considerable heiress, suddenly reappears in Kingsmarkham. When her fiancé appeals to Wexford for help, believing that Natalie is using a false identity, the case of the Camargues is once more under investigation. Events soon take a gruesome twist and the pressure is on for Wexford to discover Natalie's true identity and to solve the mystery of the Camargue family, once and for all.
INCLUDES AN EXCERPT OF RENDELL’S FINAL NOVEL, DARK CORNERS In the stunning climax to Rendell’s classic 1998 novel A Sight for Sore Eyes, three bodies—two dead, one living—are entombed in an underground chamber beneath a picturesque London house. Twelve years later, the house’s new owner pulls back a manhole cover, and discovers the vault—and its grisly contents. Only now, the number of bodies is four. How did somebody else end up in the chamber? And who knew of its existence? With their own detectives at an impasse, London police call on former Kingsmarkham Chief Inspector Wexford, now retired and living with his wife in London, to advise them. Wexford, missing the thrill of a good case, jumps at the chance to sleuth once again. His dogged detective skills and knack for figuring out the criminal mind take him to London neighborhoods, posh and poor, as he follows a complex trail leading back to the original murders a decade ago. But just as the case gets hot, a devastating family tragedy pulls Wexford back to Kingsmarkham, and he finds himself transforming from investigator into victim. Ingeniously plotted, The Vault is a “masterful” (The Seattle Times) sequel to A Sight for Sore Eyes that will satisfy both longtime Wexford fans and new Rendell readers alike.
More than five thousand quotations, that range in time from Scott's Antarctic expedition in 1912 to the attack on the World Trade Center in 2001, are gathered in a comprehensive, updated resource that evokes a fascinating picture of the social, political, cultural, and scientific highlights of modern times.