Whores and Other Feminists fleshes out feminist politics from the perspective of sex workers--strippers, prostitutes, porn writers, producers and performers, dominatrices--and their allies. Comprising a range of voices from both within and outside the academy, this collection draws from traditional feminisms, postmodern feminism, queer theory, and sex radicalism. It stretches the boundaries of contemporary feminism, holding accountable both traditional feminism for stigmatizing sex workers, and also the sex industry for its sexist practices.
Roberts' vivid, challenging, and impressively researched defense of the unrepentant whore, whom she regards as the most maligned woman in history, tells the story of the prostitute with hundreds of anecdotes of bawdy-house and brothel life. Her arguments will engage male "experts" and feminist "sisters" alike. Illustrations.
The image of the actress as prostitute has haunted the theatrical profession since women first went on the stage. This book explores the history of this connection both in the cultural imagination and in real life. It shows, through case studies of women working in Britain and the United States between the seventeenth and twentieth centuries, that some women have drawn on the dual tradition of 'whore' as radical and victim to carve out a space for female sexual agency. Female performers from Elizabeth Boutell and Charlotte Charke to Mae West redefined gender identity and appropriate female sexuality. Pullen integrates substantial archival research and interviews with working prostitutes with a consideration of feminist and cultural perspectives on the myth and reality of the actress/whore. This highly original study offers many insights to theatre historians and scholars of cultural, social and gender studies.
A Lone Humorist Attempts to Explain the Entire U.S. Government
Author: P. J. O'Rourke
Pubpsher: Open Road + Grove/Atlantic
A #1 New York Times bestseller: “An everyman’s guide to Washington” by the savagely funny political humorist and author of How the Hell Did This Happen? (The New York Times). P. J. O’Rourke’s Parliament of Whores has become a classic in understanding the workings of the American political system. Originally written at the end of the Reagan era, this new edition includes an extensive foreword by renowned journalist Andrew Ferguson—showing us that although the names may change, the game stays the same . . . or, occasionally, gets worse. Parliament of Whores is a “gonzo civics book” that takes us through the ethical foibles, pork-barrel flimflam, and Beltway bureaucracy, leaving no sacred cow unskewered and no politically correct sensitivities unscorched (Chicago Tribune). “Insulting, inflammatory, profane, and absolutely great reading.” —The Washington Post Book World
Release on 2013-07-04 | by Laura Sjoberg,Caron E. Gentry
Women's Violence in Global Politics
Author: Laura Sjoberg,Caron E. Gentry
Pubpsher: Zed Books Ltd.
Category: Political Science
A woman did that? The general reaction to women's political violence is still one of shock and incomprehension. Mothers, Monsters, Whores provides an empirical study of women's violence in global politics. The book looks at military women who engage in torture; the Chechen 'Black Widows'; Middle Eastern suicide bombers; and the women who directed and participated in genocides in Bosnia and Rwanda. Sjoberg & Gentry analyse the biological, psychological and sexualized stereotypes through which these women are conventionally depicted, arguing that these are rooted in assumptions about what is 'appropriate' female behaviour. What these stereotypes have in common is that they all perceive women as having no agency in any sphere of life, from everyday choices to global political events. This book is a major feminist re-evaluation of women's motivations and actions as perpetrators of political violence.
Shakespeare's 'Whores' studies each use of the word 'whore' in Shakespeare's canon, focusing especially on the positive personal and social effects of female sexuality, as represented in several major female characters, from the goddess Venus, to the queen Cleopatra, to the cross-dressing Rosalind, and many others.
The girls of Sacred Heart Holy Angels eye the good dancers at the all-ages club Metropolis. They waste afternoons at the mall, check out parties on the lake, burn through candid, casual sex. Everybody calls them the Whores on the Hill, but they don't care. It is the mid-'80s and they go to the last all-girls' school in Milwaukee, where innocence is scarce and happiness is something to grabbed at in the backseat of a fast car. Meet exuberant, uninhibited Astrid, her nervy, troubled friend Juli and Thisbe, the shy, ascetic newcomer. They are fifteen years old. And they believe they can take on the world, no matter what it calls them. But when euphoric promiscuity mixes with a series of dangerous, deadly pranks, their world at Sacred Heart Holy Angels can never be the same. From the Trade Paperback edition.
Usurpers of the throne of Wessex feared neither fury from Heaven nor the justice of men. When no avenging angel descended from the firmament or hero arose from amongst the citizenry to confront the growing labyrinth of despair, the very earth of England’s ancient graves rent open and issued forth a ghostly champion of their own. Without mercy or compassion, its spectral hooves clattered through the cobbled Gates of Death that flanked the blazing backdrop of Hell and galloped through the blackened night to ruthlessly confront the King’s intolerable inhumanity. As it had since time immemorial, Britain’s otherworldly sentinel let slip an unbridled rage mere men could never hope to dampen ... a savage, barbaric indignation that relentlessly trampled brutish humanity beneath its chiselled, avenging hooves.
With his first three works of fiction—the novels You Bright and Risen Angels and The Ice-Shirt, and the collection The Rainbow Stories—William T. Vollmann announced himself as a writer of rare and ferocious talent, with critics comparing him to William Burroughs, Thomas Pynchon, and T.C. Boyle. His new novel is the story of Jimmy, who has been deserted by his lover, a prostitute by the name of Gloria. In the despair of his loneliness, and his drunken grief, he reassembles Gloria’s presence out of whatever he can buy from the hookers on the street—the fragments of their lives and dreams, and locks of hair they are willing to share for a price. In his search for these snatches of intimacy he meets the hustlers, drunks, and prostitutes of San Francisco’s Tenderloin district: Candy, who beats her customers when they ask for it but refuses to let them call her a bitch; Snake, who pimps his wife; Nicole, whose job it is to give men AIDS; Jack, who shoots his woman’s earnings into his arm but still likes Chopin even though he doesn’t have a record player; and Gloria, who may or may not be a figment of Jimmy’s imagination. Vollmann writes with explosive power of the inner city, unflinching in the way he confronts the solitude of the homeless and unloved, the insulted and the injured of skid-row America. His exhilarating, high-voltage style and lyric language touch the heart and retrieve a jubilant integrity from the harsh struggles of his characters. Here is a world of harrowing truth, beautifully expressed by a writer of prodigious gifts.